50年(🔨)代(🆓)-60年代初(chū )波兰电(diàn )影学院(yuàn )(🃏)派的经典作品之(🕰)一(yī ),堪(🍥)称(chēng )与同时代意大利导演(yǎn )安东尼(ní )奥尼的《奇(🎾)遇》相比,改(gǎi )编自Józef Hen在社会(🎩)主(🤷)义(yì )波兰时(🕖)期被(bèi )禁的小说。 In 1960 his second film NIKT NIE WOLA NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
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